[See Part 1]
The sound board of the harp had always been the wild card. Elizabeth and I began the project last year knowing that we’d want to use a laser cutter to etch it with some kind of Victorianesque steampunk design involving gears. And we knew that PS:One’s Epilog, with its 24″ x 12″ bed and no feedthrough capability, simply couldn’t fit a 49″ sound board. While design focused on the brass panels, as we did have access to a CNC router, the sound board was left for later, especially because we didn’t know if we could find a smaller laser cutter with feedthrough, meaning we needed a design that could be etched in pieces, or a large laser cutter that could engrave the entire sound board at once.
Elizabeth and I were planning a trip to Madison, WI, and we heard rumors that Sector67 had a colossal Chinese import laser cutter. I reached out to them asking if they would be willing to help with this project, and Chris Meyer, director of Sector 67, responded, inviting us to their space. Knowing what we had to work with, Elizabeth was able to create the design in Adobe Illustrator.